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Classical concerts featuring
Santtu-Matias Rouvali

Santtu-Matias Rouvali is a Finnish conductor known for his dynamic and innovative approach to music. He serves as the chief conductor of the Gothenburg Symphony Orchestra and the Philharmonia Orchestra in London, where his leadership and interpretations have received acclaim for their energy and clarity.

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Upcoming Concerts

Concerts featuring Santtu-Matias Rouvali in season 2024/25 or later

March 12, 2025
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Free Lunchtime Concert: Public Rehearsal Concertgebouw Orchestra

Wed, Mar 12, 2025, 12:30
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor)
For many years now, Lunchtime Concerts have been held in the Main Hall and the Recital Hall. The concerts range from public rehearsals by the Concertgebouworkest, to chamber music performances by young up-and-coming artists.For Lunchtime Concerts you will require a free ticket, which you can buy online. Doors to the concert hall open about 30 minutes before the Lunchtime Concert starts.We offer a broad range of music: the majority of concerts include classical music, but you can sometimes hear more modern repertoire. The concert programme is announced one week in advance on our website. The concerts last thirty minutes and are free of charge. Visitors are advised that these concerts are suitable for children from six years old.
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Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Wed, Mar 12, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
March 13, 2025
Artistic depiction of the event

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Thu, Mar 13, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
March 14, 2025
Artistic depiction of the event

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Fri, Mar 14, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
March 15, 2025
Artistic depiction of the event

Concertgebouw Orchestra Essentials: Sibelius

Sat, Mar 15, 2025, 21:00
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Thomas Vanderveken (Presentation)
The Essentials series introduces you to the masterpieces you will be happy to know, performed by the world-famous Concertgebouw Orchestra and complete with a lively introduction by the incomparable Thomas Vanderveken. At Essentials we welcome a new generation of music lovers, and the concerts typically have a pleasant informal atmosphere.Grand, epic, mysterious: Jean Sibelius’ Fifth Symphony is an enigma. ‘It was as if God the Father was throwing pieces of mosaic from the edge of heaven and asking me to figure out what the pattern was,’ wrote Sibelius of composing the symphony, inspired by the vast natural landscapes of Finland. The Fifth is sombre in character, the composer having suffered from deep depression. But the sun gradually broke through, and the music culminates in a radiant and sublime ending.Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.Essentials starts at 9 p.m. with an imaginative introduction to the programme (in Dutch).
May 17, 2025
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Gothenburg Symphony Orchestra

Sat, May 17, 2025, 15:00
Gothenburg Symphony, Santtu-Matias Rouvali (Conductor), Jan Lisiecki (Piano)
The Gothenburg Symphony Orchestra visits Konserthuset under the baton of its Chief Conductor Santtu-Matias Rouvali. They are joined by the celebrated Canadian pianist Jan Lisiecki, internationally acclaimed by both audiences and critics for his beautiful touch and boundless virtuosity.Together, they present Frédéric Chopin's beloved First Piano Concerto. For Chopin, the piano always took centre stage. His nocturnes, études, mazurkas, polonaises, and impromptus have captivated listeners ever since he charmed audiences in the salons of Paris, or at the few concerts he gave during his all-too-short life. The orchestra plays a subordinate role even in the piano concerto – it is the soloist who shines with imaginative passages, beautiful bel canto melodies, and swirling dances.Regarding what would become his final symphony, Tchaikovsky wrote in a letter to his brother Anatoly: "I am now completely absorbed in the new work and find it difficult to tear myself away from it. I believe it will be one of my best works. I must finish it as soon as possible." The symphony indeed became one of the great musical masterpieces, filled with profound darkness and exalted beauty.